Read about a fascinating new connection between Warhol’s early film of Marisol at Eleanor Ward’s summer home, “Bob Indiana, Etc.” in Jeffrey Deitch’s essay featured in our “Marisol and Warhol Take New York” catalogue. “The most fascinating part of the film is when Warhol focuses on the faces of Giorno and Marisol, cropping them in a way that anticipates his later portraits. Incongruously for a country party in Connecticut, Marisol is in full makeup, more appropriate for a night on the town in Ne