Unconditional loves: the French director discusses her latest, a surreal and moving coming-of-age story that reimagines the ...
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If Satyajit Ray was the suitable boy of Indian art cinema—unthreatening, career-oriented, reliably tasteful—Ritwik Ghatak, his contemporary and principal rival, was its problem child. Where Ray’s ...
The results are in for our 2025 poll of Film Comment’s contributors and colleagues! On this page you’ll find a selection of the individual ballots submitted by our voters for the Best Films of 2025 ...
The results are now in for our 2025 poll of Film Comment’s contributors! On this page, you’ll find our list of the 20 best films that were released either theatrically or virtually in 2025 in the ...
Thoughtful, original film criticism delivered straight to your inbox each week.
There’s nobody on this set who’s got a bigger dick than he does. Whatever he wants, he gets. —a Milagro production assistant. Even in this remote location, Robert Redford can’t escape the glare of the ...
There’s something strangely sedating about being at the Venice Film Festival. The annual Mostra Internazionale d’Arte Cinematografica takes place not in Venice proper, but on a tiny island called Lido ...
The lay of the land, in the Seventies film, is that there are two types of structure being practiced: dispersal and shallow-boxed space. RAMEAU’S NEPHEW, McCABE AND MRS. MILLER, CELINE AND JULIE GO ...
A lot happens in Hong Sangsoo’s latest, By the Stream. After a few features in which his plots seem to have been reduced to the barest minimum—like the beautiful sister-films In Water (2023) and In ...
Oliver Laxe’s fourth feature, Sirât, is the French-born Galician director’s first film to premiere in Competition at Cannes, where it’s been a highlight of the 2025 festival’s first week. A singular ...
There is no polite way to talk about sexual assault. On Becoming a Guinea Fowl is Rungano Nyoni’s follow-up to her debut black comedy, I Am Not a Witch (2017), about a Zambian girl named Shula who is ...
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