This resource list will be featured in the Winter 2025 print issue, coming to mailboxes soon. A teenaged future Pulitzer winner presents the first 10-minute play of many in front of her role models. A ...

As he leaves the dual helm of the Geffen School of Drama at Yale and Yale Repertory Theatre after 24 years, he reflects on a career of leading and learning. Leadership has its own version of the ...

A chat with the NYC venue’s new leaders, good news from the wild project, new plays’ strong showing, and a world-premiere listing. But how does shared leadership actually work in practice? That was ...

NEW YORK CITY: There’s good news for theatre criticism at two of the nation’s most important outlets, The New York Times and The New Yorker. After holding the job of theatre critic and staff writer ...

Robert A. Freedman died on Sept. 22 at the age of 89. Perhaps it’s appropriate that this memoriam is being written on a cold and wind-swept rainy night, a fitting and dramatic setting for someone ...

As a special offering in our Offscript feed, we share this monologue by Kevin Renn about the legendary fashion designer who gave the world the Playboy Bunny costume. American Theatre is excited to ...

To compile this list of the new millennium’s influential plays and musicals, we turned to industry workers, leaders, and observers to come up with 50 that pushed theatre forward. In the latest AT ...

A roundup of notable publications.

A frequent collaborator and friend reflects on the entwined life and work of an era-defining English dramatist, whose brilliance masked a secret sorrow. “I’m losing my health and making enemies all ...

This edition features leaders and artists who are standing out in the Boston theatre community. What makes him special: Boston-based director Shira Helena Gitlin praised Rivera’s leadership, which has ...

Big changes at California theatres and other comings and goings at the top of U.S. theatre institutions. Support American Theatre: a just and thriving theatre ecology begins with information for all.

The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art. When was the first time you ...