In Slate’s annual Movie Club, film critic Dana Stevens emails with fellow critics—for 2024, Bilge Ebiri, K. Austin Collins, ...

Oppenheimer’s latest film, The End, is a Golden Age, postapocalyptic musical crying out from the depths of the earth.

Denmark-based filmmaker Joshua Oppenheimer is vexatiously long, tonally wacky and musically uneven. And yet, and yet… Even if the film can sometimes feel like a failure, it’s an idiosyncratic ...

“At its most fundamental, ‘The End,’ it’s about love,” Oppenheimer said. “I made the film with a loving embrace of each of the flawed characters we see on screen. That’s what ...

Anyway, if the fear was that the residual impact of last year’s strikes would make 2024 a miserable year for good movies, the process of watching the likes of “Janet Planet,” “Chicken for ...

Oppenheimer’s latest film, The End, is a Golden Age, postapocalyptic musical crying out from the depths of the earth. In the late 2000s, the filmmaker Joshua Oppenheimer trained his camera on a ...

Director Joshua Oppenheimer, previously a documentarian who has chronicled dark acts of self-delusion, shifts to a postapocalyptic musical with similar themes.

Nairn-based actress Tilda Swinton is to be honoured for her huge contribution to film. The Oscar winner, whose films include ...

Nearly a decade ago, Joshua Oppenheimer accompanied a ... and usually succeed at the beginning,” Oppenheimer said. “As the film goes on and the conflicts grow more intense and sharp, they ...