An homage in three acts: Louise Lawler shares a postcard, Christopher Williams remembers Baldessari’s studio, and Stephen Prina sings one of the great Conceptualist’s paintings. Christopher Williams, ...
Just as historical time moves without linear progression, the narrative time of Salacia ebbs and flows so that the words with which Jones begins seem to touch her last utterances. Salacia opens with a ...
In March, Neri Oxman: Material Ecology opened at MoMA. The installation is organized around seven projects, each represented by several artifacts, prototypes, and videos displaying the process. Each ...
On Valentine’s Day 1970, David Mancuso began hosting regular, invitation-only dance parties at his home at 647 Broadway in New York City. Initially started as a way to make rent, these weekly ...
We hope these will help create even the smallest shift to make things a bit more bearable. It’s okay to feel grief, anger, confusion, and to feel exhausted, unfocused, and unmotivated. Just like this ...
June 18, 1920 Fumaria officinalis (Common Fumitory) The Fumaria has a sensitive nature spirit, it tries to incorporate both ascending and descending energies. Its flower is wispy, seemingly without ...
Hear from artists, writers, and therapists about what happens when art and grief collide.
The exhibition is presented as part of The Hyundai Card Performance Series. Major support is provided by the Jill and Peter Kraus Endowed Fund for Contemporary Exhibitions. Generous funding is ...
The artist talks about Claude Monet, the muscle memory of painting, and why he’s packing a tube of orange paint for his summer in Maine.
Two photographs from the Viêt Nam series present untold stories about a nation in transition. An image from the Central Highlands region (above left) shows a funeral home surrounded by totemic ...
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“Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take ...
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