Coco Fusco’s breakout came three decades ago at a high watermark of debates over identity politics and multiculturalism, ...

Luke Urbain. Luke Urbain writes on aesthetic responses to social and economic precarity in the Caribbean and its diasporas, with attention to the folds of race, queerness, and col ...

There is a quality of lore around Jana Sterbak. Alongside her temperamental performances and pyrotechnic affinities, she is the artist of burning crowns, ...

I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky Friday night in July—“date night” at the Metropolitan Museum of Art, as the Met ...

Late last year, the artist Adam Broomberg again found himself punished for speaking out in support of Palestinian liberation. Karlsruhe University of Arts and Design in Germany, where he had recently ...

An eight-foot wooden ramp was propped up at a forty-five-degree angle in one corner. Knotted ropes hung from six holes drilled near the ramp’s top. The din of the ongoing installation echoed from ...

Launched in 1995, SITE International Biennial was the first biennial for contemporary art in the United States. Over the course of its eleven editions, the organization has primarily focused on ...

This month, COP26, the UN’s near-annual climate conference, gathered global heads of state to set a new round of targets to limit global emissions by 2030. Without such measures, there is no doubt ...

The German American artist Eva Hesse kept meticulous diaries throughout the late sixties and seventies that account for both her personal and professional anxieties, her creative process and ...

The best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever there’s a body around you see its faults. The question is, now, in an artworld and social ...

Walter Scott faces a dilemma that has confronted many multi-disciplinary artists, especially those who work in both contemporary art and more mass-cultural fields: being recognized and celebrated ...

Pizandawatc / The One Who Listens / Celui qui écoute, a recent exhibition at the Art Museum at the University of Toronto (AMUT), draws its title from the traditional name of artist Caroline Monnet’s ...