Work of the Week is excerpted from The Back Room, our lively recap funneling only the week’s must-know art industry intel into a nimble read you’ll actually enjoy. Artnet News Pro members get ...

Where would art be without the never-ending argument between imagination and reality? All art necessitates a leap of the imagination. All art, whether naturalistic or not, makes its own reality. And ...

2 of 9 — Natanson and his wife, Misia, shown here in Cannes in 1901, were prominent tastemakers in French cultural life — they brought together Paris' intellectual and artistic superstars. 3 of 9 — ...

Purchase this and other timeless New Criterion essays in our hard-copy reprint series. There are few artists whose signature work is as immediately likable but at the same time as difficult to plumb ...

“Vuillard is not one of the most highlighted artists of the 19th century,” said Laura Cosendey, an assistant curator at the Museum of Art of São Paulo (MASP), who is currently curating the upcoming ...

Edouard Vuillard was not as widely known as the Impressionist masters. But he created more than 3,000 paintings between the late 1800s and his death in 1940. NPR's Susan Stamberg tours the most ...

Édouard Vuillard’s formidable mother – his muse – haunts every shadowy painting and photograph in this compelling show exploring their shared life Édouard Vuillard was 60 when his mother died in 1928.

For years, Édouard Vuillard (1868–1940) carried around a full-sized plaster torso of the Venus de Milo. Perched on the mantelpieces of numerous Paris apartments, growing more dingy and chipped with ...

Even though it dates from just before he hit his stride, this 1889 self-portrait by Edouard Vuillard, in his current mini-survey at the Jewish Museum in New York, shows the great post-Impressionist ...

For Édouard Vuillard, works on paper were not merely preparatory studies for larger works; they were at the very core of his artistic production. More and more, the real competition between major ...