UPDATE: For more on Pomplamoose, see our February, 23, 2011 cover story on the band. Editor's note: Mike Seely, who helms a sister publication of ours called Seattle Weekly, has a problem. A problem, ...

If you experienced the worst Christmas of your entire life in 2010, it was either because you were too broke to buy gifts, or you watched a lot of television. If it was the latter, you undoubtedly ...

Here is a trifecta. It is a news nugget that (a) features the blog-war - provoking indie duo, while (b) supporting a worthy Christmas-themed cause; and (c) offering yet another wrinkle on the endless ...

Company executives had seen Pomplamoose’s cover of the ’50s classic “Mr. Sandman,” and wanted similar-sounding versions of Christmas songs for a series of holiday ads. Neither the car company nor the ...

To skirt the now-grating classics and AI slop, we’ve compiled a playlist of tunes spanning folk, R&B, and alt-rock, all from ...

Facebook, Lolcats, Instant Netflix — the Internet’s given us lots to be thankful for. And no one is singing their praise louder than Pomplamoose. In the past two years, the San Fran–based indie pop ...

UPDATE: For more on Pomplamoose, see our February, 23, 2011 cover story on the band. Since Pomplamoose gained attention for its self-produced “video songs,” which show Jack Conte and Nataly Dawn ...

Nataly Dawn met Jack Conte in 2006, when she opened for his band at a coffee house on the Stanford campus— she was a freshman, he a senior— and they started dating soon after. While they adored both ...

In a surprising display of transparency, Jack Conte and Nataly Dawn aka Pomplamoose detailed what it took to run a 28-city tour of the US. The bottom line? The band made $135,983 in income… and ...

You can add the band Pomplamoose to the long and growing list of YouTube sensations, with its cover of Beyonce's "Single Ladies." Its members don't have a record deal or a publicist, but that song's ...

So maybe there really is a sensible middle ground in the music business – somewhere between David Lowery’s pessimism and Bram Cohen’s blind faith in our digital future. That future may be the pop ...