When you buy through links on our articles, Future and its syndication partners may earn a commission. Credit: Disney / MPC Making the VFX for Mufasa: The Lion King was a personal project for Visual ...

Visual effects are a large part of computer-generated graphics and are what drives the filmmaking industry. As such, it allows for the integration of live-action footage with CGI in order to create ...

It’s not every day you get to bring the Earth to the brink of destruction, but that’s exactly what director Roland Emmerich set out to do in his latest film, Moonfall. Directed and co-written by ...

The Corridor Crew VFX artists break down the low lights and the highlights of the visual effects work in 28 Years Later.

The visual effects supervisor and prosthetics designer break down the challenges of designing the zombie Slurp and ...

Your tools must work for the project, the artists, and the client, so the AI software you bring into production should really ...

The following interview has been edited and condensed for clarity, and contains discussion of key plot points in the film. The way we decided to do that was to never give a complete picture of ...

Despite the wall-to-wall coverage of Hurricane Katrina, there wasn’t a lot of archival footage of some of the more devastating moments that producers wanted to depict in Apple TV+’s Five Days at ...

Sheena Duggal and Alessandro Ongaro took on director Jason Reitman's "love letter" to the 1984 classic. By Carolyn Giardina Tech Editor To create the Oscar-shortlisted VFX in Sony’s Ghostbusters: ...

In 'Wednesday' season 2, the character 'Slurp' (Isaac Night), resurrected by Pugsley, gained attention for its realistic effects. Prosthetic designer Tristan Verslius detailed the process of creating ...