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“Two women are at the center of the cover. The art instantly drew me in with its soft, warm tones contrasted by the bold, heavy font playfully composed over the cover. The two women, their black hair ...

Take a genteel painting, maybe featuring a swooning woman. Add iridescent neon type for a shock to the system. And thank (or blame) Ottessa Moshfegh for getting there early. Clockwise from top left: ...

It’s bold. It’s restrained. It’s graceful. It’s terrifying. It feels inevitable, yet it’s startling. There’s no easy way to describe the cover for Salman Rushdie’s Knife, which is why it’s one of the ...